🌹 my princess 🌹
he is turning the tiles brown. he needs to be contained
fools. this was a white goat, you can see the white markings on him. he’s been soaking up the brown and he’s only got one square left. let him finish his work
HE’S STEALING THE BROWN
i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
“red and green are opposites 🥰” cool now how do i paint a tree with pinks and blues without it looking like a child’s finger painting or incongruous blobs of rainbow vomit
gonna drop some sources I have saved on Pinterest! I don't know if these all link back to the original sources so apologies for that
cohesive but still contrasting
This kind of talks about color and composition
This is a bit about landscape specifically
This one's more for palette building but I think it's useful and can be applied to the other ones
Cohesion within compositions/lighting
"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!
This one specifically has a lot of process behind the style of painting you're looking for!
Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process
With the oranges painting you put as an example, I noticed they painted the lighter values more toward yellow - they also exaggerated the hues of the undertones of the photo, so I'm guessing they either did it in their head or bumped the saturation up to get a closer look! I really love these paintings you shared and I definitely share your desire to paint/draw like that :)
thanks this is super helpful! /gen
If you'd like 2 Print books that I absolutely reccomend to every visual artist regardless of Media, Color and Light and Imaginative Realism by James Gurney are basically religious texts for artists, even the 3-D people because his understanding and explanation of how light and form work is that damn good.
If you're wondering about Mr. Gurney's chops:
James Gurney is the Dinotopia Guy (that link includes his Dinotopia books, prints and online classes too)
even if the artist were a human, there’s so much more to consider about a piece of art than just how it looks at a glance
i mean that’s a long perfectly straight line, was it done free hand? was it done in a single masterful stroke leaving the same thickness of paint the whole way through? are the edges of the line sharp enough to warrant the use of a magnifying glass if you were going to search for errors/rough spots?
and if the artist didn’t paint free hand, or if it were done in multiple strokes with different thicknesses of paint, or with purposefully rough and uneven edges, why?
what about the colour? the position of the line on the canvas? the width of the line? the choice of leaving the rest of such a large canvas blank? there’s so much to consider
and on top of all this sometimes the artist will be a snail
magicstormfrostfire asked:
snapscube answered:
SHE TAKES THE CHEESE CAUSE SHE KNOWS SHE DESERVES IT 🗣️


















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